Links to some of the press my work has gotten over the years...
“Light” at Wally Workman Gallery – Taking in all the varieties of gold in this polished group show is
akin to basking in sunlight on a bleak winter’s day
by Melanie Jean, The Austin Chronicle, December 8, 2017
Review: “Smoke, Mirrors” at Marcia Wood Gallery illustrates the importance of stewardship
by Rebecca Brantley, ArtsATL, September 1, 2017
“Exquisite Exhibit”: An Exercise in Collaboration at ACAC
by Sherri Caudell, Burnaway, October 9, 2014
Review: Lively “exquisite corpses” in paint, video and sculpture from the Contemporary’s studio artists
by Jerry Cullum, ArtsATL, September 29, 2014
Last call: “Second Nature,” thoughtful and visually stunning group show at Goat Farm, closes May 17,
by Jerry Cullum, ArtsATL, May 12, 2014
Review: Dayna Thacker’s Theories of Everything at Barbara Archer Gallery
by Scott Daughtridge, Burnaway, April 25, 2013
Review: Dayna Thacker’s sacred geometry, careful craft make for art handsome and profound
by Jerry Cullum, ArtsATL, April 2, 2013
Review: Cut and Paste at Abernathy Arts Center
by Scott Daughtridge, Burnaway, March 28, 2013
One to Watch
by Kate Abney, The Atlantan, December, 2012
Review of Pivots of Moment and the Structure of Accumulation
by Jeremy Abernathy, Art Papers, September/October, 2010
Ways of Seeing Dayna Thacker’s Structure of Accumulation
by Jeremy Abernathy, Burnaway, July 26, 2010
Art Seen: Dayna Thacker at Barbara Archer
by Wyatt Williams, Creative Loafing, June 17, 2010
Bits and Pieces
by Allison Hersh, Savannah Morning News, December 21, 2006
“Light” at Wally Workman Gallery – Taking in all the varieties of gold in this polished group show is
akin to basking in sunlight on a bleak winter’s day
by Melanie Jean, The Austin Chronicle, December 8, 2017
Review: “Smoke, Mirrors” at Marcia Wood Gallery illustrates the importance of stewardship
by Rebecca Brantley, ArtsATL, September 1, 2017
“Exquisite Exhibit”: An Exercise in Collaboration at ACAC
by Sherri Caudell, Burnaway, October 9, 2014
Review: Lively “exquisite corpses” in paint, video and sculpture from the Contemporary’s studio artists
by Jerry Cullum, ArtsATL, September 29, 2014
Last call: “Second Nature,” thoughtful and visually stunning group show at Goat Farm, closes May 17,
by Jerry Cullum, ArtsATL, May 12, 2014
Review: Dayna Thacker’s Theories of Everything at Barbara Archer Gallery
by Scott Daughtridge, Burnaway, April 25, 2013
Review: Dayna Thacker’s sacred geometry, careful craft make for art handsome and profound
by Jerry Cullum, ArtsATL, April 2, 2013
Review: Cut and Paste at Abernathy Arts Center
by Scott Daughtridge, Burnaway, March 28, 2013
One to Watch
by Kate Abney, The Atlantan, December, 2012
Review of Pivots of Moment and the Structure of Accumulation
by Jeremy Abernathy, Art Papers, September/October, 2010
Ways of Seeing Dayna Thacker’s Structure of Accumulation
by Jeremy Abernathy, Burnaway, July 26, 2010
Art Seen: Dayna Thacker at Barbara Archer
by Wyatt Williams, Creative Loafing, June 17, 2010
Bits and Pieces
by Allison Hersh, Savannah Morning News, December 21, 2006